Music | Polaris by Zero 7
I am apparently banned from posting on my own profile for a 24 hour period...
Forgive my reactionary post hear... Yes, I know the rules... blah blah blah... Never mind constitutional rights of free speech... Heaven forbid, I posted a photo of a breast. Not 2, just 1. And yes, it had rope involved. I'm not sure how many people I had to offend, maybe 1 or maybe 69, but the image was removed and I was banned for a short period. I get that their are sensitive people here and get their panties or tidy whites in a bunch and their is no way of changing a closed mind... but really. Simple as FUCK solution. Give everyone the opportunity to have their profiles set as, Not Safe For Work or I Have Been Known to Be Offensive and let people decide to turn off your profile to theirs and be done with this BULLSHIT. We are managing to be profiled here on Facebook for advertising and who knows what else, let us FUCKING express ourselves...
March 20, 2015
March 16, 2015
Update
Music | Here's That Rainy Day by Bill Evans
Been almost a month since the opening of Haute Couture Botanique. It is interesting how the time has gone by progressing up to the opening and how I moved on after the opening. I gave myself a week to come down, to have the idea of having nothing in my head to think about and let the nature of things have it time with me. I think I needed that. As the energy of preparing, then being in the midst of the show, then coming down waned, new ideas and thoughts just naturally started to come in to my head. I know I've been riding this wave of staying creative for a long time. I don't question or doubt it. I'm just happy.
So the opening of Haute Couture Botanique was just a wonderful time. The people, energy and honestly, the genuine sincerity was over whelming. Everything from the hanging of the images, the pre shoot of the models and art, the quick ramp up of people suddenly arriving all at once, to the giveaways, the meeting of friends and new friends couldn't have gone any better. Those moments are quick and fleeting, but memorable. Both Françoise and I were overwhelmed by the support we received in those 3 short hours. Thank you!
So in the last 10 days, I bought not 1, not 2, but 3 cameras. I can't believe the luck I had! Just simply crazy... One was a Craigs List find - an 8x10 Burke and James and the other 2 from a flea market/garage sale at New Space Photo. There, I got a beautiful Yashica Mat LM and a Graflex RB Series D 4x5. The shutter will need work, but for the price, even if it doesn't work, I will make a great profit from the lense that came with it. I also sold my Sinar 4x5 and a 90mm Schneider Super Angulon.
Earlier today, I finally got back to shooting more Wet Plate Collodion. After months and months of issues and not being able to shoot any, today I broke thru with 3. So happy to get back into the mix! And... just this evening, I processed my first batch of 8x10 negative film I shot with the Burke and James. I'm feeling great that I can process the film right here, instead of having to send it out!
Lastly, Françoise and I are working with a fashion designer of amazing talent. I saw her work online and was immediately taken by this woman's work. We had our first meeting yesterday and planted seeds to see in what direction we will collaborate. We are all of us excited to be working with each other.
What a great start to 2015!!!
Been almost a month since the opening of Haute Couture Botanique. It is interesting how the time has gone by progressing up to the opening and how I moved on after the opening. I gave myself a week to come down, to have the idea of having nothing in my head to think about and let the nature of things have it time with me. I think I needed that. As the energy of preparing, then being in the midst of the show, then coming down waned, new ideas and thoughts just naturally started to come in to my head. I know I've been riding this wave of staying creative for a long time. I don't question or doubt it. I'm just happy.
So the opening of Haute Couture Botanique was just a wonderful time. The people, energy and honestly, the genuine sincerity was over whelming. Everything from the hanging of the images, the pre shoot of the models and art, the quick ramp up of people suddenly arriving all at once, to the giveaways, the meeting of friends and new friends couldn't have gone any better. Those moments are quick and fleeting, but memorable. Both Françoise and I were overwhelmed by the support we received in those 3 short hours. Thank you!
So in the last 10 days, I bought not 1, not 2, but 3 cameras. I can't believe the luck I had! Just simply crazy... One was a Craigs List find - an 8x10 Burke and James and the other 2 from a flea market/garage sale at New Space Photo. There, I got a beautiful Yashica Mat LM and a Graflex RB Series D 4x5. The shutter will need work, but for the price, even if it doesn't work, I will make a great profit from the lense that came with it. I also sold my Sinar 4x5 and a 90mm Schneider Super Angulon.
Earlier today, I finally got back to shooting more Wet Plate Collodion. After months and months of issues and not being able to shoot any, today I broke thru with 3. So happy to get back into the mix! And... just this evening, I processed my first batch of 8x10 negative film I shot with the Burke and James. I'm feeling great that I can process the film right here, instead of having to send it out!
Lastly, Françoise and I are working with a fashion designer of amazing talent. I saw her work online and was immediately taken by this woman's work. We had our first meeting yesterday and planted seeds to see in what direction we will collaborate. We are all of us excited to be working with each other.
What a great start to 2015!!!
February 13, 2015
Prints
Music | Tell Me Somethin' Good by Rufus featuring Chaka Khan
For the past several days, I've been working on printing for 2 projects happening this month. I just finished printing and framing 16 portraits for the Freedom Fighters series opening on the 25th and just started printing for the Haute Couture Botanique show opening the 20th.
Sitting at a desk, looking at a monitor and watching prints come out of the ink jet printer isn't anything like optically and chemically creating something from nothing, but I have to say I am feeling quite accomplished rolling off beautiful print after print.
Amanda with Floral Mask">
For the past several days, I've been working on printing for 2 projects happening this month. I just finished printing and framing 16 portraits for the Freedom Fighters series opening on the 25th and just started printing for the Haute Couture Botanique show opening the 20th.
Sitting at a desk, looking at a monitor and watching prints come out of the ink jet printer isn't anything like optically and chemically creating something from nothing, but I have to say I am feeling quite accomplished rolling off beautiful print after print.
Amanda with Floral Mask">
January 23, 2015
Always Something...
Music | Love is a Dangerous Necessity by Charles Mingus
There are still over 3 weeks for the Haute Couture Botanique exhibition opening. For me, it is a bit strange to have started the process and still have so much time before the event. Though I have only framed 2 pieces for the show, of which I probably have at least 12 more to go, I've designed and produced a postcard that is circulating, created header images for the FaceBook events page, located art work of which 2 major pieces were lost as far as I was concerned, and trying to keep the buzz going without over doing announcements and such. Today, I just finished producing and printing 5 posters for the venue to post...
It is getting to the point where I can concentrate on the art work. The plates need varnishing and framing. The other pieces have to be selected, sized and framed. I want to keep up the effort and energy, especially since I have so much time to work on this.
Feels good to be ahead of the ballgame!
13 x 19 posters for the venue...
Posters will be given away during the opening
There are still over 3 weeks for the Haute Couture Botanique exhibition opening. For me, it is a bit strange to have started the process and still have so much time before the event. Though I have only framed 2 pieces for the show, of which I probably have at least 12 more to go, I've designed and produced a postcard that is circulating, created header images for the FaceBook events page, located art work of which 2 major pieces were lost as far as I was concerned, and trying to keep the buzz going without over doing announcements and such. Today, I just finished producing and printing 5 posters for the venue to post...
It is getting to the point where I can concentrate on the art work. The plates need varnishing and framing. The other pieces have to be selected, sized and framed. I want to keep up the effort and energy, especially since I have so much time to work on this.
Feels good to be ahead of the ballgame!
13 x 19 posters for the venue...
Posters will be given away during the opening
January 15, 2015
Postcard for the Haute Couture Botanique show...
Music | Olive Refractions by Johnny Griffin
Françoise Weeks and I will be having an exhibition! Great collaborative images from the past 4 years including tin types, ambrotypes and digital images. 3 live models enveloped in Françoise's latest creations will be on hand for you to see her mastery up close.
St. John's Coffee Roasters
7304 N. Leavitt Av.
Portland, OR.
February 20
6 pm to 9 pm
Françoise Weeks and I will be having an exhibition! Great collaborative images from the past 4 years including tin types, ambrotypes and digital images. 3 live models enveloped in Françoise's latest creations will be on hand for you to see her mastery up close.
St. John's Coffee Roasters
7304 N. Leavitt Av.
Portland, OR.
February 20
6 pm to 9 pm
January 13, 2015
24x36
Music | Yesterday, Today and Tomorrow by Ornette Coleman
5+ weeks and counting for Haute Couture Botanique. I'm actually getting an early start on this as I framed 2 24x36 inch images earlier this evening. Seems I am not going to wait til the last minute to get things done as I have in the past. Still lots to do from framing plates, selecting images shot digitally and printing them up and more framing. Post cards should be here in 2 days as well. It is coming together and the more I get done early, the less I will stress...
Me with framed Amanda 24x36
5+ weeks and counting for Haute Couture Botanique. I'm actually getting an early start on this as I framed 2 24x36 inch images earlier this evening. Seems I am not going to wait til the last minute to get things done as I have in the past. Still lots to do from framing plates, selecting images shot digitally and printing them up and more framing. Post cards should be here in 2 days as well. It is coming together and the more I get done early, the less I will stress...
Me with framed Amanda 24x36
January 09, 2015
Nacre
Music | Natural Blues by Moby
Nacre Magazine : Spring Issue 2015
What a great way to start out the year. I just got the news this morning from Françoise Weeks. We knew we had the cover and what images they selected, but it is always nice to be the first to see the final product as the world will see it... Nacre Revue Art Floral is distributed out of Nimes, France.
Nacre Magazine : Spring Issue 2015
What a great way to start out the year. I just got the news this morning from Françoise Weeks. We knew we had the cover and what images they selected, but it is always nice to be the first to see the final product as the world will see it... Nacre Revue Art Floral is distributed out of Nimes, France.
January 03, 2015
The Portrait
Music | Les Nuit by Nightmares on Wax
Just yesterday, I took some photos of a woman I never met before. Ironically, I was initially interested in photographing her maybe 4 or 5 years ago, but never got the opportunity. She had recently seen a photograph I did of a friend of hers and I think vaguely remembered my name. A few weeks later, I got my opportunity.
I posted several images online, a few from our session in fact. I selectively pick and choose, edit and decide which of them go up, and often move on. However, one interesting comment on one of her photos struck a cord with me. It said she looked worried, or stressed.
As a photographer, that mostly photographs people, I was somewhat taken aback by the comment. Low and behold, Tara, my subject in my image of her suddenly took on a different appearance. She does in fact look a bit worried. Her eyes... her hands... I often shoot for beauty, not in the traditional sense, but in ways that the images are pleasant to look at in the sense there is no conflict. I'm starting to think that I don't look at my own photographs for what they are as opposed to how I think I want them to look.
What is more interesting is that I posted another image of her, that reads somewhat the same as the first...
Maybe not so worried, but melancholy. Not all of the images I shot that day brings that same conclusion, but I did select these images to post and they both have a sadness to them.
By no means do I not like either of those images any less, but like them even more. My choices are emotional more than anything else. Portraits are supposed to be enlightening, and apparently not only to the viewer, but sometimes to the artist himself...
Just yesterday, I took some photos of a woman I never met before. Ironically, I was initially interested in photographing her maybe 4 or 5 years ago, but never got the opportunity. She had recently seen a photograph I did of a friend of hers and I think vaguely remembered my name. A few weeks later, I got my opportunity.
I posted several images online, a few from our session in fact. I selectively pick and choose, edit and decide which of them go up, and often move on. However, one interesting comment on one of her photos struck a cord with me. It said she looked worried, or stressed.
As a photographer, that mostly photographs people, I was somewhat taken aback by the comment. Low and behold, Tara, my subject in my image of her suddenly took on a different appearance. She does in fact look a bit worried. Her eyes... her hands... I often shoot for beauty, not in the traditional sense, but in ways that the images are pleasant to look at in the sense there is no conflict. I'm starting to think that I don't look at my own photographs for what they are as opposed to how I think I want them to look.
What is more interesting is that I posted another image of her, that reads somewhat the same as the first...
Maybe not so worried, but melancholy. Not all of the images I shot that day brings that same conclusion, but I did select these images to post and they both have a sadness to them.
By no means do I not like either of those images any less, but like them even more. My choices are emotional more than anything else. Portraits are supposed to be enlightening, and apparently not only to the viewer, but sometimes to the artist himself...
December 30, 2014
Busch 4x5 Pressman Model D
Music | You Leave Me Breathless by John Coltrane
I forgot I still had this camera. Upon organizing and re-shuffling things around, I came upon a dusty black bag. I vaguely remembered what was inside, but confirmed it was my very first 4x5 camera. I remember buying it in a neighborhood camera store in Bucktown in the mid to late 80's. The shop had that distinct smell of all things old. Even back then, it felt the shop had been there for 60+ years. Things were all over the place, without any distinct organization to it. I was specifically looking for a 4x5, but honestly had no idea what to look for. The Busch was the first to grab my attention and the one I eventually walked out with for a mere $50 with lens!
The camera always had those awful looking bellows, but did not leak any light. I'm not sure about that now, but will test them soon. The lens appears to be in good shape, but does not open for viewing. I'm sure a CLA will get it back to new condition. For aesthetic purposes, I bought another Busch and that ended up the camera I used until the Chamonix. I recently traded a light box with ring for that camera. I am extremely pleased to have found the original still in my possession.
I'd love to get the bellows replaced along with having the lens gone thru as well. A good cleaning is necessary to be sure. I'm guessing I have had that camera for 27 years! Would be very nice to keep shooting with it!
I forgot I still had this camera. Upon organizing and re-shuffling things around, I came upon a dusty black bag. I vaguely remembered what was inside, but confirmed it was my very first 4x5 camera. I remember buying it in a neighborhood camera store in Bucktown in the mid to late 80's. The shop had that distinct smell of all things old. Even back then, it felt the shop had been there for 60+ years. Things were all over the place, without any distinct organization to it. I was specifically looking for a 4x5, but honestly had no idea what to look for. The Busch was the first to grab my attention and the one I eventually walked out with for a mere $50 with lens!
The camera always had those awful looking bellows, but did not leak any light. I'm not sure about that now, but will test them soon. The lens appears to be in good shape, but does not open for viewing. I'm sure a CLA will get it back to new condition. For aesthetic purposes, I bought another Busch and that ended up the camera I used until the Chamonix. I recently traded a light box with ring for that camera. I am extremely pleased to have found the original still in my possession.
I'd love to get the bellows replaced along with having the lens gone thru as well. A good cleaning is necessary to be sure. I'm guessing I have had that camera for 27 years! Would be very nice to keep shooting with it!
December 29, 2014
Choice
Music | Acute Motelitis by Roswell Rude and Archie Shepp
As another year ends, there is a sense of melancholy that buries itself just below the surface of being. Maybe it is because we are all judging our past... another year has gone by and we want to quantify the changes that we hoped to have accomplished, but often do not. I'm not much to slant to the positive side and know I am more pessimistic in nature.
I often feel sad also in the way our lives are being steered. I remember being younger and yearned to discover things in nature that were profound. I wanted to learn about and feel. Internet, cell phones, and generally, technology and its constant push to feed us more and more useless information is steering us to be idiots. We click on stupid memes and more useless facts about if we were a car, what car would we be, or what celebrity got the worst face or body alterations... We are viewing more photos than ever in the history of photography, most of which is quite horrible, but yet we click on the like button just to solidify someone else's horrible vision. Technology, which has made more accessible to do bad, what we once had to hire a true artist or technician to do has made things in general, to take a few steps back as opposed to moving forward.
More and more information - visual, auditory, uninteresting facts... It comes at us getting shoved down our throats and we have become accustomed to try and keep up, rather than stop. Just yesterday, I was flipping thru the hundreds of channels on the TV and I stopped at a movie that I have seen at least 5 times. Yes, I knew it was somewhat entertaining, but I found myself looking for something else when a commercial popped up. I landed on an Australian independent movie that I knew was going to move slow, tell a story and knew deep in my heart was going to be so much more fulfilling. Yet, I had a big conflict to switch back to something I was familiar with and knew every twist and turn. I had to tell myself to hold on and let the secondary movie to grasp me and fortunately it did. I missed some of the beginning but fell into a much more interesting experience and one that made me enlightened on things that interested me and other things that I could relate to...
So it seems I have defined a few that bothers me and affects me in negative ways. The struggle now is to act upon the issue and not be sucked into the vacuum of the useless...
As another year ends, there is a sense of melancholy that buries itself just below the surface of being. Maybe it is because we are all judging our past... another year has gone by and we want to quantify the changes that we hoped to have accomplished, but often do not. I'm not much to slant to the positive side and know I am more pessimistic in nature.
I often feel sad also in the way our lives are being steered. I remember being younger and yearned to discover things in nature that were profound. I wanted to learn about and feel. Internet, cell phones, and generally, technology and its constant push to feed us more and more useless information is steering us to be idiots. We click on stupid memes and more useless facts about if we were a car, what car would we be, or what celebrity got the worst face or body alterations... We are viewing more photos than ever in the history of photography, most of which is quite horrible, but yet we click on the like button just to solidify someone else's horrible vision. Technology, which has made more accessible to do bad, what we once had to hire a true artist or technician to do has made things in general, to take a few steps back as opposed to moving forward.
More and more information - visual, auditory, uninteresting facts... It comes at us getting shoved down our throats and we have become accustomed to try and keep up, rather than stop. Just yesterday, I was flipping thru the hundreds of channels on the TV and I stopped at a movie that I have seen at least 5 times. Yes, I knew it was somewhat entertaining, but I found myself looking for something else when a commercial popped up. I landed on an Australian independent movie that I knew was going to move slow, tell a story and knew deep in my heart was going to be so much more fulfilling. Yet, I had a big conflict to switch back to something I was familiar with and knew every twist and turn. I had to tell myself to hold on and let the secondary movie to grasp me and fortunately it did. I missed some of the beginning but fell into a much more interesting experience and one that made me enlightened on things that interested me and other things that I could relate to...
So it seems I have defined a few that bothers me and affects me in negative ways. The struggle now is to act upon the issue and not be sucked into the vacuum of the useless...
December 11, 2014
More Aiméelisa
Music | Polaroid Girl by Massive Attack
Just because...
Digital tintypes shot with iPad.
Just because...
15 cm f:3 Petzval
Music | Sour Times by Portishead
Over the weekend, besides hanging those fantastic large format prints with Susan de Witt, that afternoon I got to work with one of my favorite models, Aiméelisa. Specifically, I wanted to test the gifted Petzval that I received a few weeks earlier.
2014-12-07 Aiméelisa
As you might imagine, I am ecstatic about having this lens! I love the characteristics of this little giant! Without much foreshortening, the shallow depth - the butter like and immediate fall off, contrast... all lovingly distinct. One of the things I wasn't too sure about was the somewhat short focal length that I usually do not like to shoot with. I much rather prefer a longer lens, not only giving me some distance from my subject, but elongating and not distorting - objects appear closer than they are, quality. That is the beauty of this lens. I'm shooting maybe 3 feet away from Aiméelisa, but there is no wide angle effect happening here. Given that this image was shot with a paper negative, I'm more than sure I will be happy with this Petzval's sharpness. The eyes are deadly!
I'm looking forward to working more with this one. I think I can work more intimately with my subjects, but still keep that shallow depth I crave. I love that speed kills!
Over the weekend, besides hanging those fantastic large format prints with Susan de Witt, that afternoon I got to work with one of my favorite models, Aiméelisa. Specifically, I wanted to test the gifted Petzval that I received a few weeks earlier.
2014-12-07 Aiméelisa
As you might imagine, I am ecstatic about having this lens! I love the characteristics of this little giant! Without much foreshortening, the shallow depth - the butter like and immediate fall off, contrast... all lovingly distinct. One of the things I wasn't too sure about was the somewhat short focal length that I usually do not like to shoot with. I much rather prefer a longer lens, not only giving me some distance from my subject, but elongating and not distorting - objects appear closer than they are, quality. That is the beauty of this lens. I'm shooting maybe 3 feet away from Aiméelisa, but there is no wide angle effect happening here. Given that this image was shot with a paper negative, I'm more than sure I will be happy with this Petzval's sharpness. The eyes are deadly!
I'm looking forward to working more with this one. I think I can work more intimately with my subjects, but still keep that shallow depth I crave. I love that speed kills!
December 08, 2014
Wheat Paste Winter Project
Music | I Still Feel It by Martina Topley-Bird
This project has been in my head for over a year... Having a hard time getting it off the ground, mostly because of laziness, I enlisted Susan de Witt to collaborate with. Our initial goal was to find a place to have the display, then get prints made, then hang. Our big issue was venue, but Susan came up with a place and the project rocketed to completion! Once we got our prints made, our outdoor gallery in St. Johns was hung in less than a week after that. Collaboration is always a good thing!
Thru the fence...
St. Johns Coffee Roasters offered us wall space at the back of their café. Françoise Weeks and I will also be having an exhibition there in February. Mount Burns, owner of the café has only been too generous for these two projects!
Me, Amanda and Shoe...
My first foray into wheat pasting was pretty simple with visits to a few websites. Huge props goes to Mark Sink and his Big Picture Project he put together in Denver. A nice guide to getting started put me in a direction I felt confident about to get going...
Susan de Witt and I...
With good preparation, Susan and I rocked thru the process without incident. I have to say, working with wheat paste was like being a kid again. Because it was all new to the both of us, we had to have a sense of humore and just go with the flow...
The Collection and I...
The end result felt victorious and just great. I'm thinking public art like this is wonderful. Not having to deal with the bourgeoisie gallery scene where you spend a ton of money to have a show, make no money in return, but for a few pats on the back and ego lifting words makes no sense to me. This project was made by pennies on the dollar in comparison. I feel confident we'll have a bigger audience and for those who just happen just upon it, will have more appreciation for the unexpected art work.
fuck the traditional system...
This project has been in my head for over a year... Having a hard time getting it off the ground, mostly because of laziness, I enlisted Susan de Witt to collaborate with. Our initial goal was to find a place to have the display, then get prints made, then hang. Our big issue was venue, but Susan came up with a place and the project rocketed to completion! Once we got our prints made, our outdoor gallery in St. Johns was hung in less than a week after that. Collaboration is always a good thing!
St. Johns Coffee Roasters offered us wall space at the back of their café. Françoise Weeks and I will also be having an exhibition there in February. Mount Burns, owner of the café has only been too generous for these two projects!
My first foray into wheat pasting was pretty simple with visits to a few websites. Huge props goes to Mark Sink and his Big Picture Project he put together in Denver. A nice guide to getting started put me in a direction I felt confident about to get going...
With good preparation, Susan and I rocked thru the process without incident. I have to say, working with wheat paste was like being a kid again. Because it was all new to the both of us, we had to have a sense of humore and just go with the flow...
The end result felt victorious and just great. I'm thinking public art like this is wonderful. Not having to deal with the bourgeoisie gallery scene where you spend a ton of money to have a show, make no money in return, but for a few pats on the back and ego lifting words makes no sense to me. This project was made by pennies on the dollar in comparison. I feel confident we'll have a bigger audience and for those who just happen just upon it, will have more appreciation for the unexpected art work.
fuck the traditional system...
December 03, 2014
Petzval
Music | In a Sentimental Mood (1964) by John Coltrane
I have the best of friends... Just at the beginning of my foray into large format photography, I met a guy named Chris during a gathering of large format shooters. They would meet once a month, show prints, talk photography... I was the odd man out as I didn't shoot much large format, but really wanted to. I'm not sure if he knew it or not at the time, but Chris was on his way out. He had intimated in so many words that he just wasn't getting what he wanted out of the various analogue processes he had immersed himself in. During one of our gatherings, I decided to bring prints I had made digitally just to show my work. I printed them ~11x14. I remember Chris was especially interested as they were digitally produced, and I'd like to think, very high quality. He took an interest with the way I produced them, equipment including cameras, lenses, printer and even paper.
Fast forward a few months, Chris got me going with film processing equipment and an unopened box of 4x5 film. I think he recognized poor starving artist and he empathized! It meant quite a lot as I was able to shoot and learn more about the little 4x5 camera I had at the time as well as learn technique in processing the larger film.
Years have gone by, at least 7. Chris has moved on living the dream of Paris and photography. He is a master of the digital photography realm and I can tell he has found his outlet, his joy, to be able to let out his expressions of his art.
About a month ago, I got a message from Chris about a lense he came across in Paris. Not knowing a lot about it, but the price being right he just bought it. Turns out it is a 15 cm f:3 Petzval lense that he was thinking about adapting to one of his digital cameras.
Well, the project stalled and the message Chris sent was to ask whether or not I wanted the lense. A Petzval that I knew at least would fit on my camera was all I needed to know to say yes! I received it a few days ago, quickly made a fitting lense board for it and mounted it on the Chamonix 4x5. I am hopefully going to be able to test it soon, but the view I'm getting out of the ground glass is bright with a wonderful depth fall off. Maybe a new signature look... I am quite excited!!!
Chamonix 4x5 with no name Petzval 15 cm f:3 lense
I have the best of friends... Just at the beginning of my foray into large format photography, I met a guy named Chris during a gathering of large format shooters. They would meet once a month, show prints, talk photography... I was the odd man out as I didn't shoot much large format, but really wanted to. I'm not sure if he knew it or not at the time, but Chris was on his way out. He had intimated in so many words that he just wasn't getting what he wanted out of the various analogue processes he had immersed himself in. During one of our gatherings, I decided to bring prints I had made digitally just to show my work. I printed them ~11x14. I remember Chris was especially interested as they were digitally produced, and I'd like to think, very high quality. He took an interest with the way I produced them, equipment including cameras, lenses, printer and even paper.
Fast forward a few months, Chris got me going with film processing equipment and an unopened box of 4x5 film. I think he recognized poor starving artist and he empathized! It meant quite a lot as I was able to shoot and learn more about the little 4x5 camera I had at the time as well as learn technique in processing the larger film.
Years have gone by, at least 7. Chris has moved on living the dream of Paris and photography. He is a master of the digital photography realm and I can tell he has found his outlet, his joy, to be able to let out his expressions of his art.
About a month ago, I got a message from Chris about a lense he came across in Paris. Not knowing a lot about it, but the price being right he just bought it. Turns out it is a 15 cm f:3 Petzval lense that he was thinking about adapting to one of his digital cameras.
Well, the project stalled and the message Chris sent was to ask whether or not I wanted the lense. A Petzval that I knew at least would fit on my camera was all I needed to know to say yes! I received it a few days ago, quickly made a fitting lense board for it and mounted it on the Chamonix 4x5. I am hopefully going to be able to test it soon, but the view I'm getting out of the ground glass is bright with a wonderful depth fall off. Maybe a new signature look... I am quite excited!!!
Chamonix 4x5 with no name Petzval 15 cm f:3 lense
Upcoming Projects!
Music | On the Nile by Jackie McLean
November brought 2 big projects to light that I am pretty excited about. Both will be publicly viewed; One indoor and one outdoor and both are collaborations with people I really respect and admire. I will elaborate more as dates are finalized.
In the meantime...
November brought 2 big projects to light that I am pretty excited about. Both will be publicly viewed; One indoor and one outdoor and both are collaborations with people I really respect and admire. I will elaborate more as dates are finalized.
In the meantime...
Eating and Instant Film...
Music | You Wish by Nightmares on Wax
I bought myself a box of Fuji FP 100 Colour Instant Film the other day because the black and white Fuji 3000B has been discontinued. Though you can still buy it, it is difficult for me because I have been used to paying under $10 a box. The local photo shop is now selling it for $25... The colour version still can be had for about $12.50 a box, 10 exposures.
I remember in the mid 80's when Fuji came out with this film giving Kodak 669 a run for its money. The Fuji was a better product in that if gave the same typical Fuji saturated colours, rendering beautiful peel apart prints. It has probably been 25 years since I last bought this film. I never made the switch as I was used to the Polaroid product and it was also significantly cheaper.
Now as the tick tock comes near the end, I'm getting my instant print gratification as I can. I thought about this for a bit as I could obviously shoot digital without having to spend dime and shoot til the sun goes down... I'm roughly spending a $1.25 per exposure with the colour Fuji. At this point, the black and white is costing me $2.50 per pull. I'm down to my last 4 boxes... I spend $80 on a camera that I knew would be a door stop in the next few years along with another $50 on a lens with hours of modifying time to put the 2 together... I am but a poor starving artist, and yet I go out and buy instant film, film, chemicals and spend hours to get a final image.
The satisfaction level, even with instant film exceeds what I shoot digitally. I'm not speaking about analogue vs digital debate, but I just know my soul gets fed a much more rich and satisfying meal...
I bought myself a box of Fuji FP 100 Colour Instant Film the other day because the black and white Fuji 3000B has been discontinued. Though you can still buy it, it is difficult for me because I have been used to paying under $10 a box. The local photo shop is now selling it for $25... The colour version still can be had for about $12.50 a box, 10 exposures.
I remember in the mid 80's when Fuji came out with this film giving Kodak 669 a run for its money. The Fuji was a better product in that if gave the same typical Fuji saturated colours, rendering beautiful peel apart prints. It has probably been 25 years since I last bought this film. I never made the switch as I was used to the Polaroid product and it was also significantly cheaper.
Now as the tick tock comes near the end, I'm getting my instant print gratification as I can. I thought about this for a bit as I could obviously shoot digital without having to spend dime and shoot til the sun goes down... I'm roughly spending a $1.25 per exposure with the colour Fuji. At this point, the black and white is costing me $2.50 per pull. I'm down to my last 4 boxes... I spend $80 on a camera that I knew would be a door stop in the next few years along with another $50 on a lens with hours of modifying time to put the 2 together... I am but a poor starving artist, and yet I go out and buy instant film, film, chemicals and spend hours to get a final image.
The satisfaction level, even with instant film exceeds what I shoot digitally. I'm not speaking about analogue vs digital debate, but I just know my soul gets fed a much more rich and satisfying meal...
November 30, 2014
Freedom Fighters, take 3
Music | Belonging (Lopsides Lullaby)by Joshua Redmond
I take huge pride in working with Roosevelt High School's Writing Program where incoming freshman work together and interview Portland Freedom Fighters, socially conscious individuals who make the world a better place to live. This is the 3rd year in a row where I was given the free reign to shoot portraits of these heroic figures who have given to the community. The students gather information from the Freedom Fighters and put together a book as well as a museum quality presentation documenting their stories, which travels around the Portland area as an exhibition.
Here are a few of the 16 portraits...
special thanks to Epson whose contribution allows for prints to be made
I take huge pride in working with Roosevelt High School's Writing Program where incoming freshman work together and interview Portland Freedom Fighters, socially conscious individuals who make the world a better place to live. This is the 3rd year in a row where I was given the free reign to shoot portraits of these heroic figures who have given to the community. The students gather information from the Freedom Fighters and put together a book as well as a museum quality presentation documenting their stories, which travels around the Portland area as an exhibition.
Here are a few of the 16 portraits...
November 03, 2014
The Search for Meaning...
Music | Basique by Little People
Recently, I was setting up a shoot to photograph a few models wearing Françoise Weeks' wares. I had found a great out of the way location, set up my gear and wait for my subjects to come to be photographed. While waiting, I decided it would be smart to do a test shot to make sure my lighting was going to work. I used Françoise to test upon and shot 1 exposure. My judgement at that time was more about what I had planned to shoot, not what I had just shot. As a test, what I saw on the lcd screen was fine - nice balance, good contrast, separation from the background... so I commenced to wait for the main event. Complications with planning for the event turned out to be not so good and I was told I was not going to have the opportunity to shoot the models...
A bit dejected, I quickly packed up my gear and left. We fortunately shot most of Françoise's work as still lifes so it was not a loss. We ended up getting fantastic photos. When I got back to the office, I thought about the shot I took of Françoise. As I downloaded the files onto the computer, I pulled the file of her immediately to get a closer look. My attention suddenly shifted to what was in front of me. Quite excited, I worked the colour image to black and white, made minor adjustments and came out with a wonderful portrait of Françoise; one that I thought held profound truth within it. Most people as I imagine see her full of life, brilliance and always with a smile. Those qualities alone captured in a portrait often would be enough. However, in my eyes, there was that, but so much more held within the rectangle box captured by the image.
Françoise Weeks | 2014
Here she is, not in context to her usual persona of all things soft and with vibrant colours. The disassociation of how most people who know her or even just seeing her work makes this image all the more powerful to me. I love tension... contrast... the unexpected... Here we see beyond the floral poet. Here, with her hands gesturing as a genius conjuring another amazing idea and the intensity in the eyes shows a side of Françoise people don't go far enough to see. This image takes you a step further.
Recently, I was setting up a shoot to photograph a few models wearing Françoise Weeks' wares. I had found a great out of the way location, set up my gear and wait for my subjects to come to be photographed. While waiting, I decided it would be smart to do a test shot to make sure my lighting was going to work. I used Françoise to test upon and shot 1 exposure. My judgement at that time was more about what I had planned to shoot, not what I had just shot. As a test, what I saw on the lcd screen was fine - nice balance, good contrast, separation from the background... so I commenced to wait for the main event. Complications with planning for the event turned out to be not so good and I was told I was not going to have the opportunity to shoot the models...
A bit dejected, I quickly packed up my gear and left. We fortunately shot most of Françoise's work as still lifes so it was not a loss. We ended up getting fantastic photos. When I got back to the office, I thought about the shot I took of Françoise. As I downloaded the files onto the computer, I pulled the file of her immediately to get a closer look. My attention suddenly shifted to what was in front of me. Quite excited, I worked the colour image to black and white, made minor adjustments and came out with a wonderful portrait of Françoise; one that I thought held profound truth within it. Most people as I imagine see her full of life, brilliance and always with a smile. Those qualities alone captured in a portrait often would be enough. However, in my eyes, there was that, but so much more held within the rectangle box captured by the image.
Françoise Weeks | 2014
Here she is, not in context to her usual persona of all things soft and with vibrant colours. The disassociation of how most people who know her or even just seeing her work makes this image all the more powerful to me. I love tension... contrast... the unexpected... Here we see beyond the floral poet. Here, with her hands gesturing as a genius conjuring another amazing idea and the intensity in the eyes shows a side of Françoise people don't go far enough to see. This image takes you a step further.
November 01, 2014
floating...
Music | Stay by Rufus and Chaka Khan
As I had mentioned on my previous post, it has been a rather introspective evening. To facilitate that feeling even more so, I pulled out a bottle of Macallan and have been sipping a few glasses, which I thought it to be just the right thing to do. I'm glad I did... I don't often sustain this elusive feeling, which I enjoy being in, for as long as I have this evening.
I had rather profound thoughts on the idea of why photographs are so very important for memories... I made made 2 prints that I would have love to have crafted by hand, but lo the digital printer would have to suffice... I contemplated an image I created recently, of which I think is one of my great images, people will comment that they still would rather see the subject matter smile for the camera...
In all, as I start to retreat from my thoughtful introspections, while listening to my music from my youth, contemplating on having a smoke, I'm feeling peaceful, a little high and generally, good...
As I had mentioned on my previous post, it has been a rather introspective evening. To facilitate that feeling even more so, I pulled out a bottle of Macallan and have been sipping a few glasses, which I thought it to be just the right thing to do. I'm glad I did... I don't often sustain this elusive feeling, which I enjoy being in, for as long as I have this evening.
I had rather profound thoughts on the idea of why photographs are so very important for memories... I made made 2 prints that I would have love to have crafted by hand, but lo the digital printer would have to suffice... I contemplated an image I created recently, of which I think is one of my great images, people will comment that they still would rather see the subject matter smile for the camera...
In all, as I start to retreat from my thoughtful introspections, while listening to my music from my youth, contemplating on having a smoke, I'm feeling peaceful, a little high and generally, good...
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