July 01, 2018


Music | Ricky Don't Lose that Number by Steely Dan


Raven at the Abandoned Silo


Adriana at the Wall

2018 brought on not one, but 2 Graflex cameras. Either, unlike any camera I have used in the past. I have to say it has been a challenge, but I'm feeling it.

1942 Graflex RB Series D

1964 Graflex Speed Graphic with Buhl Projection Lens

June 01, 2018

A Generated Artist’s Statement...

Ted Mishima (º1953, Tokyo, Japan) is an artist who mainly works with photography. With a subtle minimalistic approach, Mishima seduces the viewer into a world of ongoing equilibrium and the interval that articulates the stream of daily events. Moments are depicted that only exist to punctuate the human drama in order to clarify our existence and to find the poetic meaning in everyday life.

His practice provides a useful set of allegorical tools for manoeuvring with a pseudo-minimalist approach in the world of photography: these meticulously planned works resound and resonate with images culled from the fantastical realm of imagination. By emphasizing aesthetics, he creates work through labour-intensive processes which can be seen explicitly as personal exorcism ritual. They are inspired by a nineteenth-century tradition of works, in which an ideal of ‘Fulfilled Absence’ was seen as the pinnacle.

His works are often classified as part of the new romantic movement because of the desire for the local in the unfolding globalized world.. However, this reference is not intentional, as this kind of art is part of the collective memory. By referencing romanticism, grand-guignolesque black humour and symbolism, he creates work in which a fascination with the clarity of content and an uncompromising attitude towards conceptual and minimal art can be found. The work is aloof and systematic and a cool and neutral imagery is used.

His works sometimes radiate a cold and latent violence. At times, disconcerting beauty emerges. The inherent visual seductiveness, along with the conciseness of the exhibitions, further complicates the reception of their manifold layers of meaning.

Ted Mishima currently lives and works in Portland, Oregon.

April 17, 2018

A Bio for an Upcoming Workshop

Music | Red Eye by The Album Leaf

I am in my 34th year with photography being by my side. It has been my emotional obsession to which even in the midst of being at my worst, can take me to a place of solace. I have been a lifelong student of hers and know I will always have lessons waiting for me.

Photography has been a passion since the moment I created my first print in the darkroom. No longer was I just snapping away taking photos for the sake of it, but having the idea what the print would look like became paramount.

2 years in college studying photography, then 2 more studying art, I knew this was the path I was to follow. I furthered my education learning from commercial photographers where I honed my own ideas and skills. I ran my own business shooting commercially for over a decade.

During a turning point in the business, my commercial aspirations lessoned and creating images from my soul became more important. I never called myself an artist as I never thought I was ready. The transition was steady, but always moving towards that direction. In time, I was much more comfortable with the term, Artist and finally became one.

May 10, 2017


Music | All Things by The Cinematic Orchestra

My life changed dramatically as of a year ago, yesterday. Actually, it may have been a week before yesterday as my eyes had laid upon the sights of a woman who I did not know how to approach during a gathering. It just so happened that I decided to go to this gathering, one I had not attended for close to a year just to get out. No doubt I would be attending again the following week, just so I could at least see this woman again...

Fast forward to a week later, there she was, again. As I often do, I find my out of the way corner, sit and observe, say hello to the people I know, sit quietly otherwise. Similar to the week before, this woman is social, having at least one conversation going on at a time leaving me no open doors to say... something.

Luck seemed to be on my side, as I didn't have to get out of my comfort zone to fumble words together and introduce myself to her. My little "angel" without any prompting, came over to me with this woman and did the introductions for me. We spent most of the rest of the evening together and talked.

Since then, many adventures, firsts, lovely experiences, lots of time, Vicky and I have been side by side. Our relationship became exclusive later in August and there we stand today.

I can unequivocally say that my life has changed in more ways than I could imagine. The word happy has entered many conversations with people I have known and have known me for many years. Life has been good and now has blossomed into a life I did not know could exist. I am a lucky man and in the midst of the moment, I know it.

March 02, 2017

New Era...

Music | A Laugh for Rory | Rahsaan Roland Kirk

I got back from a trip to Japan and the jet lag really affected me. I was easily up til 3 or 4 a.m. I decided to be productive and print in the darkroom. I fondly remember that time as I knew at that moment I was in a special place. I'd start my sessions around 10 or 11 at night and go on til 6 a.m. I lived in a coach house, my own building with no neighbors to bother with noise. I had my music going and printing or proessing film for 3 or 4 days straight. I could easily work through the early morning with no distractions. Every second counted.

What I remember most about that moment was how lost I became in what I was doing. Granted, this was 1990; There was no texting or iphones, no checking in on facebook. Yet, I remember how totally free I felt to get immersed in the work. There is a magical ideal I always had of being an artist and creating while the rest of the world slept. I was there, in my own fantasy.

I am a bit older now, way older. I feel a bit wiser and knowing. Much less energy, but I am in the midst of being in that special place again. Working on chemical prints with Coltrane playing in the background, wiping down my wet hands from a washing print.

I am down in my workshop, not quite in the midst of the early morning hours, but that feeling of getting lost in the work. Times travels way to fast. I'm working on some prints for an upcoming exhibition, still searching and refining a printing process I only vaguely know. I have to reach the level of comfort when showing these images. Only 2 months away, but I am confident to achieve the goal. I'm certain I will look back to right now, and have a nice sense of nostalgia.

February 19, 2017

Progressions and Movement

Music | Threads by David Ware

A day of accomplishment! Yesterday was good having processed more film and finally getting to make a start at printing, but also, I felt a little disappointed in not being able to get an acceptable print.

Today, lots of errands completed, I got another start with some advice from a master printer, Ray Bidegain. He has helped my in the past with technical problems and he came through again. Since Platinum Palladium printing is still new to me. I have not figured out how to read the prints thru the process. Dry down is much more significant than what I am accustomed to. More difficult is to change my thought structure in working with a dynamic range that I am not entirely familiar with either. It appears that it takes me to ponder finesse changes in a print for several days. However, I do know a bad print when I see one...

Todays printing session started off in the right direction and those finesse changes seemed to come much quicker. I managed to make 3 prints of 2 images that could be in the exhibition. I'm feeling quite elated...

Detail 8x10 Platinum Palladium pour of Contessa

8x10 Platinum Palladium pour of Stephanie

The Platinum Palladium pour is so exciting to me. I won't ever get tired suddenly seeing a latent image come up. With my music in the background, an expresso or whiskey nearby, I'm finishing my session on a high note!

February 17, 2017

1st Step

Music | Firesuite by The Doves

It has been way too long since I've been down in the workshop to make some prints. Earlier this week, I processed two batches of 8x10 and my 3rd earlier today. I've had a fresh batch of chemicals so I decided to try a few test prints tonite. I'm really hoping for an encouraging evening with some positive results. My confidence could really use it. But in any case, it has been a very good day and early evening. I'm feeling creative and productive.

8x10 Negatives, Françoise Weeks and Stephanie
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