Portraits of March

Music | Sweet Disposition by The Temper Trap


Click HERE for Gallery

The fruit of my beloved labor during a 2 week span in March...

The little North Light Studio, aka the dining room and the bathroom which conveniently converts into a makeshift darkroom works quite well.

With the exception of Dara, I wanted to make sure I photographed only new people for this series. No one had sat in a formal setting for me before, though these subjects are mostly all my friends. I have my favorites, my muses, but I wanted to step out of a comfort zone. And though I know these people, very interesting and people I have respect for, I wanted to see what I could get away with, what I could do to manipulate the person, the image.

I think because I know these subjects, I wasn't pushing as much as I thought I would. I was able to get exactly what I wanted with some, but for the most part, my usual way, my philosophic idea of taking a portrait took over. I am more a voyeur, giving instructions, but allowing the subject to have room to open up an be themselves. For whatever reason, I felt like I couldn't push with some and with others, only minutely.

I'll have this experience in the back of my mind for the next few sessions I'm sure. I won't think too much about it as long as I keep coming up with what I deem as strong work.

The Payoff

Music | Lay Your Head Down by Keren Ann

Fingers black stained of silver...



Black Stained Fingers

mixing more batches of developer than I thought I would, actually varnishing plates shortly after washing, scanning, correcting, printing, then back to my fingers again, using them to put the final stamp on the back of the prints for delivering.


hanko

It isn't over yet. I've got 2 more days and at least that many more sessions to shoot. It has been a great 2 weeks. Every time I go through this process, I gain just a little more knowledge and confidence.

Nothing but portraits this time around.


a few of the portraits...

Photographers

Music | Name Taken by Massive Attack

For this series, I was fortunate enough to photograph 2 photographers whom I hold esteem to in high regards. Both are older than I, have much more experience in the world of photography, and put out amazing work.

Dennis Purdy, I've known for maybe the last 4 years through introductions from a large format group that used to meet once a month in Portland. His artistic vision is far beyond my own, but within the grasp of my own imagination - Meaning, his work, though on a higher plateau than I am accustomed to, I still get it. There is sincerity and honestly in what he tries to accomplish that makes it accessible.

I've known of Jamie Bosworth for almost as long as I have been living here in Portland. After being introduced to the photography community, Jamie's name was always passed around as being one of the finest journalistic photographers in the city. Paying great attention to detail of her weddings, she captures truth and beauty on a consistent basis with the sensitivity only a journalist has.


Dennis


Jamie

Both Dennis and Jamie will die with cameras in hand. Always shooting and creating is what I hope to emulate from these 2, as great examples to follow.

1000

Music | Travel in Time by Kate Havnevik

I had posted on my Facebook account that I had hit for the cycle yesterday, meaning I went 4 for 4 with my portrait session with Shannon - each shot progressively better than the last. I wasn't sure what to expect from this session, as it was mentioned to me that she doesn't like being in front of the camera. So I put undo pressure on myself when she agreed...

After the 1st photo was shot and processed, and it looked beautiful, I had a great sigh of relief, especially after sensing that Shannon too liked the photo. If we managed not to shoot anything else, I was all ready happy. The culmination of the hour we spent came to this fabulous portrait...

Beginnings

Music | Can't Take it In by Imogen Heap

I've begun my push within my time constraints to get as much work as I can get done. Just under 2 weeks where the dining room of the house turns into a studio and the bathroom turns into a darkroom. I ended up creating a few epic pieces that I really liked the last time I did this, so I'm hoping to just keep that flow going this time around.

We're almost all ready in the middle of March and I'm hoping that we have a real spring and summer this year. Though I do enjoy shooting indoors with the strobes, I'm again looking forward to getting back to the outdoor studio along with getting some location shoots in as well.

Today, the second day into my project, I knew I needed to get some plates shot to decipher whether or not my chemicals were usable or not. It was nice to nail the 2nd plate for exposure and get 3 out of 4 usable plates. Tomorrow I continue and shoot another portrait.

I've got tomorrow lined up for another portrait, and a few days next week as well. As with one of my early wet plate projects, the shoot with the floral head pieces and Cain, I'm feeling good about this project. Though it is much less structured, so long as I keep shooting and pushing myself, I'm feeling good.

Exhibition at the Artist Repertory Theatre

Music | Star Eyes by Bill Evans

I had roughly a week to put together images for submission to a group show that would accompany a David Mamet written play, Race. The venue would be at the Artist Repertory Theatre, brought together by the Open Door Gallery. This would be one of the biggest shows I would be a part of, so I was quite excited to try and be a part of it.

Though I didn't have all the necessary incidentals for presentation, I had determined I'd get it done no matter what. Fortunately, my photo gods fell into place and I picked up a few commissions to purchase frames, glass, mattes and boards. With an hour to spare, I promptly dropped off my work. Unfortunately, I didn't write a bio or description of my work and how it pertained to the show itself. That evening, I wrote the following...

Ted Mishima - Photographer. Studied at University of Illinois at Chicago. Lives in Portland, Oregon. Divorced. From Chicago, Illinois. Born on December 10

Since taking up photography seriously in the early 80's, photographs of people have always interested me. Being able to capture a moment in the life of someone and have it tell a story thru time - minutes, hours, days, months, years just seemed magical to me.

Having grown up in a diverse and unique area of Hyde Park, in Chicago, IL., I didn't have to deal with racism until I left to go away to college. Everyone I knew lived no more than a few blocks from people of different ethnicity's Conflicts never arouse because of the colour of skin.

But as Dr. Seuss puts it, “Adults are just obsolete children...” The simplicity of life became more complicated and the issues of black and white and my relationships with people of "colour," black, white, and other ethnicity's became more sensitive.

In a profound aesthetic, I imagine all my photographs of people I may have been trying to decipher the differences of people. In the end, I don't think it is the differences that matter, but the similarities.

I just found out today, all 5 of my submissions made it into the show... The play opens this Friday, opening to the artwork will be determined...