A few important things happened to me today... along with the exercise below, I went awry of my usual solutions to lighting and took the advice of Sean Kernan. I've kept things pretty simple for a long time. As described earlier, and in musical terms, I decided to expand on my "one note lighting" to something with more layers and sophistication. I didn't let my frustration stop me from pushing my "experiment" to only fall back on old faithful. I felt confident that I could follow up with something different for me. EA was my subject for "100" and also sat for me for a portrait. I had a great time working things out. I've accumulated enough tools for quite a bit of unusual lighting, but I kept the simplicity aspect in check. All these years shooting, I'm again realizing some things need and take time. Lessons are being learned, again...
November 12, 2006
The act of cultivating...
Music | Time is a Healer by Eva Cassidy
A few important things happened to me today... along with the exercise below, I went awry of my usual solutions to lighting and took the advice of Sean Kernan. I've kept things pretty simple for a long time. As described earlier, and in musical terms, I decided to expand on my "one note lighting" to something with more layers and sophistication. I didn't let my frustration stop me from pushing my "experiment" to only fall back on old faithful. I felt confident that I could follow up with something different for me. EA was my subject for "100" and also sat for me for a portrait. I had a great time working things out. I've accumulated enough tools for quite a bit of unusual lighting, but I kept the simplicity aspect in check. All these years shooting, I'm again realizing some things need and take time. Lessons are being learned, again...
A few important things happened to me today... along with the exercise below, I went awry of my usual solutions to lighting and took the advice of Sean Kernan. I've kept things pretty simple for a long time. As described earlier, and in musical terms, I decided to expand on my "one note lighting" to something with more layers and sophistication. I didn't let my frustration stop me from pushing my "experiment" to only fall back on old faithful. I felt confident that I could follow up with something different for me. EA was my subject for "100" and also sat for me for a portrait. I had a great time working things out. I've accumulated enough tools for quite a bit of unusual lighting, but I kept the simplicity aspect in check. All these years shooting, I'm again realizing some things need and take time. Lessons are being learned, again...
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